Updated: December 10th, 2023
Finalizing the space for the installation redirected our design a lot. We will be using the IDM floor’s common study space, specifically the glass corridor with a projection screen. Which provides us with a new set of possibilities and challenges.
We got alot of inspiration from the LIVE! CODE! Workshop with Char Stiles, Sarah Groff Hennigh-Palermo, Kate Sicchio, and Olivia Jack! at CMU. We will be incorporating Hydra visuals to create surreal nature effects that react in real-time to the viewer.
So this was where we were having some delays trying to pin down exactly what kind of effects we wanted. We decided to go for
My first instinct was to explore inflatables for these effects. I collected some of the packing inflatables from delivery boxes and experimented with a silicone tube best ways to attach it (tape or glue). Next, I observed which plastic materials responded the best to short air pumps. Finally, I draped a lightweight fabric on top to observe the overall effect. Now I have to wait until I get the pumps to test out the full system.
As for the flowers, my initial idea is to go for inflatables that open and close petals, but I am also thinking about simpler ways to mechanize this from a servo motor.
Fuguo and I decided that our priority should first be the flowers and lighting with LEDs as they are crucial to the aesthetics of our idea. We also need to pin down the interactions exactly and sound to go with it
Since I have more experience with using motors and wire structures, I realized this may just be faster than waiting for air pumps. I referred to a few tutorials to quickly construct a wire structure.
I had to get wires that I could easily solder on. So this structure is mostly made out of brass wire and stripped solid core electrical wires. I used thicker copper wire as the stem that pushes the inner pieces up and down because it needs the stiffness to not bend under continued pressure. I tested with the servo motor programmed to rotate between 0 to 145 degrees to get the maximum amplitude for the motion to be noticeable.
Next, we needed to construct the petals in a way that was lightweight, held its own structure, and had its own light effects. We referred to this tutorial to prepare and weave fiber optics into our petals. We used dark organza since it is lightweight, easy to weave fiber optics into, and highlights the colors within the fiber optics.
The video shows the first time we attached the petals with the optical fiber weaved in. We made some adjustments to the petal structure based on where it needs most support and completed our first petal.
We also tested out the projector in the space where our installation will go and fixed the placement of the flowers on the glass wall. We also fixed the resolution of the visual projection with respect to the size of the flower in that area.